RICHARD WEDEKIND
12. Pas de Deux (with hoodies)
2010
Painted Steel
2 x 1.2 x 1.2m
The activities of men can be elevated to the poetic by their everyday interactions.
The art of people-watching is always fascinating; their
interactions during everyday activities can become a ballet of life
and environment. The juxtaposition of the two figures represents
both the indifference and connectedness of our communities.
Price: $10,000
Artists Web Page: www.wedekind.co.nz
Richard Wedekind
"I am a sculptor based on Waiheke Island where I moved after working as a geologist in mineral exploration and mining. I am interested and concerned at our rapid transition from a world of man in the environment to where man is the environment. My sculpture is figurative and addresses issues of man, community, the environment and our impending collision."
Richard is a painter and sculptor who is based on the ‘bottom end’ of Waiheke Island, New Zealand.
Richard has a Ph.D. in geology and geochemistry and spent 15 years working in the mining & exploration industry throughout Australasia before returning home to pursue a long-term passion for the arts.His work references current issues in science – notably climate change and the state of the environment.
Richard’s sculpture is figurative and emphasises ‘man in the landscape’ often playing with scale and perspective to emphasise the pre-eminence of mankind in this space. The ‘body language’ of his figures tell stories about relationships and the conversations they might be having. It is intended that the works be approached from a distance so that the perspective of these giant figures changes and eventually dwarfs the observer. Works may be made from timber, mild steel (painted), corten steel and most recently fabric.
Richard’s painting interests lie with portraiture and mapping. The portraits of people and animals are tone maps where the pallet is reduced to key tones and layers. The boundaries between the subject and the background is often undefined. The maps are painterly line studies emphasising topography from unusual viewpoints.
Richard’s work is found in public and private collections throughout the world and he is keen to talk with collectors regarding possible commissions.